Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
DIANE ARBUS "GROOM KISSING HIS BRIDE", 1966
DIANE ARBUS "GROOM KISSING HIS BRIDE", 1966
DIANE ARBUS "GROOM KISSING HIS BRIDE", 1966
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.
Diane Arbus "Groom Kissing his Bride" Gelatin silver print, 1966. Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York.

Diane Arbus

DIANE ARBUS "GROOM KISSING HIS BRIDE", 1966

$18,500

Diane Arbus (1923-1971) is one of the most influential and daring photographers of the 20th century.

Arbus is best known for her unique form of documentary portraiture. She explored the uncanny, the marginalized, and the idiosyncratic characters who defied mid-century conformity. Her work has influenced some of the most renowned photographers of our time including Nan Goldin. 

While her career launched in the fashion world, it was years after quitting commercial photography (circa 1956) that she found her voice as an artist. With camera in hand, she followed her fascination with the eccentric individuals and oddities of New York City. Ultimately rejecting her affluent, sheltered upbringing and the mainstream fashion industry to create her own definitions of beauty. 

Arbus’ portraits were considered incredibly provocative for their bold representations of sexuality, chaos, and grit. She fully immersed herself within the queer and alternative communities she documented, engaged with a curious balance of mystery and homage.

Shot in 1966, "Groom Kissing His Bride" is a prime example of her uncanny ability to capture even the most traditional moments (a wedding) through a lens of surrealism. 

Love and tension confront each other as the groom kisses the bride with an attacking passion. Her likeness disappears behind his embrace and their newlywed bodies merge together. This work also contains Arbus’ visual trademarks – a black and white palette, a square crop, and a hard flash that flattens the aesthetic wonderland of New York. 

Today, Arbus' work is celebrated in many major museum collections including the Art Gallery of Ontario, Art Institute of Chicago, National Museum of Modern Art (Tokyo), and Centre Pompidou (Paris).

Questions about this piece? Contact us or call +1.416.704.1720

"Groom Kissing his Bride, NYC"

USA, 1966 

Gelatin-silver print 

Stamped 'A Diane Arbus photograph', signed, titled, dated, numbered in ink by Doon Arbus, Administrator and Estate copyright credit reproduction limitation stamps (on the verso)

From an edition of 75

20"H 16"W

Framed

Very good condition.

More information View images

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