Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world for the second half of the 20th century.
Motherwell was the unofficial spokesman of the New York School, writing and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction.
His body of work is almost completely void of representation - however, as a printmaker, he included images including logos, maps, cigarette packaging and more to expand and elevate his abstract creations.
In this dynamic work, Motherwell brings the gestural spirit of his paintings to printmaking. Substituting heavy brush strokes for layers of ripped paper mixed with more restrained painted lines, Motherwell creates an impactful composition with dynamic and fragmented visuals.
Motherwell's finest prints are realized on heavily textured hand-made papers with a lot of character. This work is Arches Cover paper torn and collaged onto Oatmeal Australian Bemboka hand-made paper. The paper exhibits exceptional character with naturally deckled edges.
This work is included in "Robert Motherwell: The Complete Prints 1940-1991 Catalogue Raisonne" pg. 268.
Click here for another example from this iconic series.
Questions about this piece? Contact us or call +1.416.704.1720. Visit our Toronto gallery on Thursdays or by appointment.
"America-La France Variations VI"
USA, 1984
Lithograph and collage
White Arches Cover paper; blue Tyler Graphics Ltd. (TGL) handmade paper with multicolored fibers
Signed and numbered by the artist
An artist proof, outside the edition of 60
46"H 31.5"W (work)
Published by Tyler Graphics Ltd.
Very good condition.
Provenance: Kasmin (NYC) / The Dedalus Foundation
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